Very rarely is a family film as immensely touching and thematically powerful as “Where the Wild Things Are.” A film that will cater more to adult audiences than children, this movie is an emotional tour de force that will have an impact on the viewer long after he or she leaves the theater.
The story centers on the character of Max (Max Records), an imaginative yet troubled child who often finds himself lonely and angry. His parents are divorced, his sister doesn’t care for him, and his mom is often away at work. As a result, he is forced to find enjoyment and company within the comfort of his vivid imagination. Yet, he is still a child who craves attention from his family. This is seen when his mother brings home a date; Max becomes jealous of the affection that he feels should be directed towards himself. Consequently, he throws a fit, bites his mother and runs away from home.
From this point on, the movie transforms into a fantasy story. Reminiscent of “Pan’s Labyrinth,” this story becomes one of escape and denial. Max discovers a world where he is not lonely. Inhabited by a race of bizarre creatures, the land welcomes Max as its king. He is accepted, respected and claims to activate an anti-sadness cape that encompasses the land. Max finally has a home where he belongs.
But, Max soon discovers that his imaginary world is no different from the real world. Full of sadness, pain and violence, Max finally realizes that one cannot escape reality. To come of age means to deal with the problems that are intrinsic to human existence; one cannot run from them. He further realizes that human perfection, as epitomized through the king motif, does not exist. One must come to terms with the flawed nature of humanity.
The thematic depth of this film was pleasantly surprising. From start to finish, this maturely adapted version of the popular kid’s book will pull on the heartstrings of the audience. But, even more impressive, the film executes these themes with an honest human touch that is very rare in movies these days.
Even without the thematic depth, “Where the Wild Things Are” is technically brilliant. The tone of this film is phenomenal; the dichotomous feel of ominous despair and poignant hopefulness is impossible to miss.
Just as impressive are the artistic style and visual look. Whether it’s a beautiful camera angle that captures the majesty and sadness of the ocean, or a touching scene that emphasizes the power of love through flowers, this film is exceedingly artistic and well made.
The acting is almost as impressive as the visuals and style. Max is the only “human” actor for the majority of the movie. His strong performance is not only admirable but also possibly worthy of an Oscar nomination. He single-handedly expresses the wide range of human emotions. Whether it’s euphoria, fear, depression, anger or hope, Records conveys each emotion touchingly well, especially considering
his age.
The soundtrack is also remarkable. The songs are craftily placed in all the right places, thereby adding to the already poignant atmosphere of this movie. When all is said and done, this film is a cinematic masterpiece.
You will love “Where the Wild Things Are” unconditionally. Artistic and thematic, melancholy yet uplifting, this movie will stay in your heart for a long while. Come February, I hope the Academy does not overlook this work of genius.
There have been a lot of great movies this year, such as “Up,” “District 9” and “Inglourious Basterds.” However, with the exception of “The Hurt Locker,” this is the best film I have seen this year.
Score: 5 out of 5 stars




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